Книги по искусству Востока

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Shine Like the Sun: Lustre-Painted and Associated Pottery from the Medieval Middle East



http://www.amazon.com/Shine-Like-Sun-Lu ... 51&sr=1-23

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Gifts of the Sultan: The Arts of Giving at the Islamic Courts (Los Angeles Museum of Contempo)

The giving of gifts both delights the recipient and pleases the giver. Practiced in all societies, gift exchange has a history as long as humanity. This gloriously illustrated catalogue is the first investigation of gift-giving and its impact on the development of art in the Islamic world. Presenting some 240 rare and costly works of art associated with gift exchanges among the courts of Islam, Byzantium, western Europe, and eastern Asia, the book provides a wide-ranging view of Islamic art and culture from the 8th through the 19th century.

At courts across the Islamic world, gift-giving often served as a nexus of art and diplomacy, religion, and interpersonal relations. The book examines the complex interplay between artistic production and gift-based patronage through numerous examples of deluxe, aesthetically pleasing objects either commissioned or repurposed as gifts. Tracing the unique histories of selected artworks, the book also explores how the exchange of luxury objects played a central role in the circulation, emulation, and assimilation of artistic forms within and beyond the Islamic world.

http://www.amazon.com/Gifts-Sultan-Isla ... =1-1-fkmr0

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Schätze der Liao. Chinas vergessene Nomadendynastie 907-1125.
Hg. Hsueh-man Shen. Katalog, New York 2006.
Um 1000 n. Chr. brachte das nomadische Reitervolk der Kitan Nordchina unter seine Herrschaft. Ihr Territorium erstreckte sich von der Mandschurei über die Mongolei bis in das Gebiet des heutigen Peking. Sie nannten ihre Dynastie »Liao« und versetzten mit ihrer militärischen Schlagkraft die chinesische Song-Dynastie in Angst und Schrecken. Von der chinesischen Geschichtsschreibung als »Barbaren-Dynastie« abgetan, zeugen die Schätze der Liao jedoch vom überwältigenden Glanz dieser Dynastie, in der sich nomadische und chinesische Traditionen zu einer unverwechselbaren Synthese verbinden. Im 10. und 11. Jahrhundert waren die Liao die beherrschende Großmacht Ostasiens und unterhielten Handelsbeziehungen bis an die Ostsee. Zum ersten Mal wurden in Europa rund 200 Kunstobjekte gezeigt, die in den letzten Jahrzehnten im Gebiet der Autonomen Region Innere Mongolei ausgegraben wurden. Zu den eindrucksvollsten Exponaten gehörten neben der Totenausrüstung der 1018 n.Chr. verstorbenen Prinzessin von Chen und ihres Gemahls Kostbarkeiten aus dem Schatz der Weißen Pagode. Der eindrucksvolle großformatige Bildband gilt als Referenzwerk zu diesem Thema.
30,5 x 23,5 cm, 391 S., zahlr. farbige Abb., geb.
Versand-Nr. 473197

http://www.froelichundkaufmann.de/Ausse ... -1125.html
http://www.kultur-online.net/?q=node/617

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Источник: http://www.archaeolog.ru/?id=2&id_nws=150&zid_nws=2
Коваль В.Ю. Керамика Востока на Руси: IX–XVII века

Вышла в свет монография: Коваль В.Ю. Керамика Востока на Руси: IX–XVII века. М.: Наука, 2010.
Издание представляет собой свод археологических источников, относящихся к импорту всех известных на сегодняшний день на территории исторической Руси восточных керамических изделий, привезенных из Византии, Сирии, Ирана, Турции, Китая, Золотой Орды, Волжской Булгарии и Северного Причерноморья, по состоянию на 2000 г. Его основой стала классификация восточной керамики, впервые разработанная для столь разнообразной номенклатуры импортов. Систематический свод включает как находки поливной, так и массовые образцы неполивной керамики (амфор, столовой посуды и т.п.). Издание иллюстрировано цветными изображениями целых вещей и фрагментов сосудов, найденных при раскопках.
Бесспорными достоинствами монографии являются подробное описание каждой разновидности восточной керамики и продуманный алгоритм идентификации находок по ранжированным признакам. Благодаря ним книга может служить справочником-определителем при атрибуции археологических находок и материалов музейных коллекций. В издании представлены также экскурсы в вопросы терминологии, происхождения разных типов керамики, атрибуцию импортов.
Книга завершается обзором хронологических изменений в импорте керамики Востока на протяженном отрезке времени – около 7 столетий. Динамика керамического импорта рассматривается в историческом контексте, что позволило автору сделать ряд интересных выводов о причинах происходивших в нем изменений, фиксируемых по археологическим материалам.

В приложениях опубликованы данные спектрального анализа образцов глазурей восточной керамики, представляющие особенный источниковедческий интерес, а также таблица со сводными данными о местах находок амфорного материала.

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Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art

http://www.amazon.com/Masterpieces-Depa ... tan+Museum

This expansive book reveals the great diversity and range of art of the Arab lands, Turkey, Iran, Central Asia, and later South Asia. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterpieces from one of the finest collections in the world. The works range chronologically from the origins of Islam in the seventh century through the nineteenth century, and geographically from as far west as Spain and Morocco to as far east as India. Outstanding miniature paintings and illuminated manuscripts, ceramics, textiles, carpets, glass, and metalwork reflect the mutual influence of artistic practice in the sacred and secular realms. Many of these beautiful objects display the rich traditions of calligraphy, vegetal ornament (the arabesque), and geometric patterning that distinguish the arts of the Islamic world.

With seven informative essays and almost three hundred catalogue entries—supplemented by introductory essays on the collection and its display—this handsome and comprehensive overview will enlighten the specialist and the general reader alike.

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Osmanlı kültürünün Avrupa'daki yansımaları: 1453-1699.

Prof. Dr. Nurhan Atasoy ve Dr. Lâle Uluç’un beraber yazdıkları“Osmanlı Kültürünün Avrupa’daki Yansımaları : 1453 - 1699 “ isimli kitabı, Türkiye’de kitapçılarda, ARMAGGAN mağazalarında ve Amerika'da Turkish Culture Shop sitesinde ve Amazon'dan satışa sunuldu.
Prof. Dr. Nurhan Atasoy ve Dr. Lâle Uluç’un ortak çalışmasıyla hazırlanan bu değerli kitap 14 Avrupa ülkesinde 6 yılı aşkın süreyle yapılan araştırmanın sonuçlarını içeriyor.
İngilizce olarak yazılan kitabın Türkçe ve İngilizce baskıları eşzamanlı olarak yapılmış.
Dokuma, çini ve seramik, çiçek ve bitki, halı, silah, tasvir, hilal ve kesişmeler başlıkları altında konusunu irdeleyen 443 sayfalık kitap, ayrıca 400 imajla görsel bir şölen sunuyor.
Kitap, erken modern dönem Avrupa’sında Osmanlıların genişleyen topraklarıyla oluşan ortak sınırların sonucunda yoğunlaşan politik, diplomatik ve ticari ilişkilerle, Avrupa’ya ulaşan Osmanlı maddi kültürünün yansımalarını konu alıyor.
İstanbul’un fethedildiği 1453 tarihinde başlayan araştırma, son Viyana kuşatmasının ardından Osmanlı’nın Avrupa devletlerinin gözünde yenilmezliğin kaybedildiği Karlofça Anlaşması (1699) arasındaki dönemi kapsıyor.
Çalışmada, bu dönemde Osmanlılar ve Avrupalılar arasında yoğun olarak gerçekleşen kültürel aktarım ve dönüşümlerin Avrupa’daki yaşamlarında yüklenmiş oldukları yeni anlamları da açığa çıkarmıştır.
Prof. Dr. Nurhan Atasoy, İstanbul Üniversitesi Edebiyat Fakültesi Dekanlığı’ndan 1999 yılında emekli olmuş.
Türk sanat tarihine yaptığı katkılar sebebiyle ulusal ve uluslararası kuruluşlardan aldığı ödüllerin yanı sıra, 2006 yılında “Türk Devleti Üstün Başarı Ödülü”ne de layık görülmüş.
Prof.Dr.Nurhan Atasoy halen Turkish Cultural Foundation’ın bilimsel danışmanlığını yapmaktadır.
Doktora eğitimini New York Üniversitesi’nde Güzel Sanatlar dalında tamamlayan Lâle Uluç Boğaziçi Üniversitesi Tarih bölümünde öğretim görevlisi olarak çalışmalarını sürdürmektedir.
Uzun yıllara dayanan araştırmalarının birikimine dayanan “Osmanlı kültürünün Avrupa’daki yansımaları: 1453-1699” kitabı Osmanlı ve Türk sanat tarihi araştırmalarına gönül vermiş Prof.Dr.Atasoy ve Dr.Uluç’un Sanat Tarihi’ne değerli yeni katkılarıdır.

http://blog.milliyet.com.tr/osmanli-kul ... gNo=353676

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Islamic Chinoiserie: The Art of Mongol Iran (Edinburgh Studies in Islamic Art)
Yuka Kadoi

The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style—Islamic chinoiserie—was born in the art of Iran.
Highly illustrated, Islamic Chinoiserie offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts—textiles, ceramics, metalwork and manuscript painting—the book illustrates the process of adoption and adaptation of Chinese themes in the art of Mongol-ruled Iran in a visually compelling way. The observation of this unique artistic phenomenon serves to promote the understanding of the artistic diversity of Islamic art in the Middle Ages.

http://www.amazon.com/Islamic-Chinoiser ... d_sim_b_30

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TIMUR AND THE PRINCELY VISION, Persian Art and Culture in the Fifteenth Century
Thomas W. Lentz (Author), Glenn D. Lowry (Author)



http://www.amazon.com/PRINCELY-Persian- ... pd_sim_b_4

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The Arts of Persia
R.W. Ferrier (Editor)

http://www.amazon.com/The-Arts-Persia-R ... +of+Persia

If only one book could be purchased to represent Persian art, this would be the right selection. The 20 authors have skillfully provided illuminating text that covers and contrasts artistic contributions both by historical time period and specific media employed. Comprehensive coverage includes chapters on early art, art of the Sasanians, coins, architecture, textiles, metalwork, painting, ceramics, calligraphy, and more. Excellent, clear examples have been chosen for the 150 color plates and 250 black-and-white illustrations to display panoramic layouts and elegant detail-work. Highly recommended for the public or academic library, scholar or student, and for all with an eye for Eastern design.
- Paula I. Nielson, Brigham Young Univ. Lib., Provo, Ut.

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Hunt for Paradise: Court Arts of Safavid Iran 1501-76
James Allan (Author), Sheila Canby (Author), Jon Thompson (Contributor)

http://www.amazon.com/Hunt-Paradise-Cou ... favid+Iran

This lavish catalogue documents the most opulent period of later Persian history through over one hundred twenty five superlative works of art from public and private collections in Europe, North America and Asia, including Iran. The volume, which examines pieces chosen for their exceptional quality and historical importance, includes works in all media-carpets, paintings, metalwork, ceramics, lacquer and hardstones. Hunt for Paradise is the first exhibition catalogue to bring together these treasures from many countries in order to present a unique and comprehensive picture of the art of the Safavid court. This serious and original contribution to the study of Persian art and culture is of the highest quality and includes critical text by leading specialists in the field.

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IVORY 8th to 17th Centuries Treasures from the Museum of Islamic Art, Qatar
text by Mariam Rosser-Owen

http://www.textile-art.com/qatar/silkiv ... nchorivory

Ivory is one of the most beautiful of all natural substances. Not only is it dense and heavy with a lustrous texture and subtle rich colour, but its fine grain is able to take detailed carving or simply a beautiful polish. For millennia its qualities have been appreciated, and it has been used for luxury objects in all quarters of the globe where trade has taken the elephant tusk from India and Africa. The tusk places natural limits on the size of ivory objects, and it tends to be used for small items - often boxes, gaming pieces and small implements - or for decorative inlay into larger pieces of furniture or architectural decoration. The Islamic world was as enthusiastic as any for ivory, and had the added advantage of proximity to its sources of supply, which it often controlled.
The Museum of Islamic Art in Doha is privileged to hold an important group of ivories of medieval date, including early monumental chess pieces, carved and painted caskets and boxes from Spain, Italy and Sicily and two rare hunting horns decorated with hunting scenes and animals. These are among the twelve selected items that were on display at the Doha Cultural Festival 2004.
This publication provides a unique opportunity to share the beauties of this material and these treasures of Qatar's Museum of Islamic Art with a wider audience, prior to the opening of the new Museum planned for 2007, where this collection will find a permanent home.

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Empire of the Sultans: Ottoman Art from the Khalili Collection
J. M. Rogers (Author), Nasser D. Khalili Collection of Islamic Art (Corporate Author), Art Services International (Corporate Author)

http://www.amazon.com/gp/product/088397 ... 00_s00_i00

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THE ANATOLIAN CIVILISATIONS III - SELJUK / OTTOMAN



http://www.nadirkitap.com/the-anatolian ... 82051.html

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Вышел в свет уникальный альбом «Сокровища Алании»

В альбоме представлены предметы из богатейших археологических коллекций музея Института истории и археологии РСО-А. Фотографии всех этих вещей печатаются впервые.
Научный редактор издания - профессор М.М.Блиев, коллектив авторов: М.Блиев, Р.Бзаров, Н.Гиджрати, С.Дзуцев, З.Кадзаева, Р.Фидаров, Х.Чшиев, Э.Шестопалова.
Альбом состоит из разделов: «Предисловие», «История древней и средневековой Алании-Осетии в памятниках археологии», «Культуры эпохи бронзы», «Кобанская культура», «Скифы и сарматы», «Аланы I - V вв. н.э.», «Аланы VI - XI веков н.э.», «Аланы X - XIV вв. н.э.».
Альбом вышел в издательстве «Эксмо». Тираж - 3 000 экз.

http://world-archaeology-news.blogspot. ... _2427.html

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Г.Г. Король
Искусство средневековых кочевников Евразии. Очерки.


Искусство кочевников Евразии конца I - начала II тыс. н. э. исследуется на основе анализа торевтики малых форм, преимущественно ременных украшений воина-всадника (уздечная и поясная гарнитура из цветного металла). Их декор представляет раннесредневековый евразийский стиль так называемого степного орнаментализма. В очерках получили отражение материалы двух крупных регионов - юга Восточной Европы и Саяно-Алтая. Декор ременных украшений анализируется на широком фоне евразийских аналогий, с которыми автор знаком в основном по музейным коллекциям (более 5 тыс. образцов), а также по публикациям.
Декоративно-прикладное искусство рассматривается как часть народного искусства, другой стороной которого является устное творчество, в первую очередь эпос. На основе изучения разных кодов искусства, выявления семантики мотивов выясняются возможности сопоставления декоративного искусства и духовного аспекта жизни народов, отраженного в мировоззрении, мифологии, эпосе, религиозных верованиях. Внимание уделено процессу формирования и видоизменения традиций, выяснению корней раннесредневекового искусства, выявлению признаков, отражающих основные направления историко-культурных связей народов, населявших эти территории.

http://triumphbook.ru/arheologiya/sredn ... 2-00239-4/
http://kronk.spb.ru/library/korol-gg-2008.htm