Re: Тюрбанные шлемы
Добавлено: 06 авг 2012, 19:08
Steel helmet. Lacking nose-piece; with fringe bearing St.Irene mark all round. Body of helmet with spiral flutes between bands of bad inscription in brushed silver. Flutes mostly bear varieties of: al'alim al'adil. Lower inscriptions read: al-Mu'izz al-mawlana al-Sultan al-a'zam khaqan al-mu'azzam malik al-umam wal. Between sections is a smaller lobed medallion containing compressed illegible inscriptions.
Тюрбанник, который Клим пытался выдать за аналогию шлему из АИМа в статье по цилиндроконусам...velizariy писал(а): -----------------
http://goskatalog.ru/portal/#/collections?id=4271117
Шлем XIX в.
Период создания:XVI в.
Материал, техника:—
Место создания:Центральная Азия, Персия
Номер в Госкаталоге:4329949
Номер по ГИК (КП):ГИМ 97858
Инвентарный номер:13501 ор
ЗЫ. Версия статьи с http://swordmaster.org/2012/02/11/k-ist ... xv-vv.html грешит неправильными рисунками.Цилиндроконические наголовья послужили исходным материалом для появления так называемых «тюрбановидных» шлемов. Отметим, что переходный образец от простого цилиндроконического наголовья к тюрбановидному был найден на территории Руси (хранится в ГИМе) [22. С. 168] Этот экземпляр имеет выраженный обратный изгиб образующих венца и накладные «брови» в виде простых бронзовых полос. До настоящего тюрбанного шлема ему недостает лишь выпуклого валика по линии перехода венца в тулью с расчеканенной на манер жгута поверхностью. По всей видимости, это наголовье можно датировать временем, непосредственно предшествующим появлению тюрбанных шлемов, то есть серединой XV в. Основываясь на аналогии с данным экземпляром, представляется возможным уточнить верхнюю дату шлема из Артиллерийского музея. Вероятно, она относится к первым десятилетиям XV в.
Кольчуга кажись новодел.of cylindrical form rising to a swollen band of vertical flutes narrowing to a pointed apex with affixed flattened bud finial, two affixed plates on each side, indents for the eyes and nose-guard to front, affixed chainmail, narrow band around base with gilt inscription and silver design above
50.5cm. height (with chainmail)
Formerly in the collection at Château de Villandry, France.
Inscriptions
On the nose guard:
Invocations to God as:
‘O The Judge of [all] needs! O sufficient of necessities! O God! O Raiser of dignities! O the Guardian of [everything] good!
Around the rim in long cartouches:
Qur’an, chapter XLVIII (al-Fath), verses 1-4.
In the roundels:
‘O sufficient of necessities! O Raiser of dignities! O the responder to prayers! O The Judge of [all] needs!’.
This helmet, which is characterised by its large yet elegant domical shape with a band of flutes and gently rising finial, is also referred to as a ‘turban helmet’ due to the resemblance of these flutes to the folds on a turban. Turbans could be representative of one’s rank or religious order, and the way that these were wound and the numbers of folds created were particularly important indicators of rank or religious status. This form is a type associated to both Ottoman Sultans and the Aqqoyunlu rulers, perhaps also the Shirvan Shah Farrukhsiyar (Alexander 1992, p.68).
There is a great variety amongst the inscriptions carried on these helmets. Other examples from this group carry inscriptions naming the Ottoman sultans Orhan and Bayezid II. Another, in the Metropolitan Museum of Art, New York (inv. no. 04.3.211), mentions the name of Sultan Ya’qub of the Aqqoyunlu (White Sheep Turkoman) who ruled between 1478 and 1490. Further comparables in the Metropolitan Museum of Art include inv. nos. 36.25.109, and inv. no. 04.3.212, whose inscription, of foliate script, rather resembles Iznik pottery.
This ‘turban’ helmet bears sporadically legible inscriptions at the peak and round the base in an archaic Kufic alphabet. It bears the mark of the St Irene armoury in Istanbul.
Many of these helmets came to light in the Ottoman armoury at Erzurum, captured by the Russians in 1828, and in the Istanbul armoury which was ‘spring-cleaned’ by Sultan Abdülmecid in 1839. As a consequence, some of the material found its way into European collections. Some items bear the names of identifiable rulers, such as the Ottoman Sultans Orhan (r circa 1324–1360) and Bayezid II, the Aqquyunlu Sultan Ya‘qub (r 1478–1490) and the Shirvanshah Farrukhsiyar (r 1462–1501), and, to judge from the testimony of the 15th-century Mamluk historian Ibn Iyas, they also reached Mamluk Egypt as diplomatic gifts.
D. Alexander, The Arts of War. Arms and Armour of the 7th to 19th Centuries, The Nasser D. Khalili Collection of Islamic Art, volume XXI, London 1992, cat.27, pp.68, 70.