Китаб Хона

Considers how the languages of dress in the region connect with other social practices, and with political and religious conformity in particular. Treating cases as diverse as practices of veiling in Oman and dress reform laws in Turkey, these ethnographic studies extend from Malta to the ME and Caucasus.

This exhibition catalog illustrates - through many figures and accompanying essays - the styles and style changes of the Ottoman court, the glamour and beauty of which were hardly seen publicly. It also demonstrates the influence of western fashion currents, which in the Turkish fashion metropolis of Istanbul were combined with traditional Ottoman styles. German text.

The historical and cultural richness of the Near and Middle East is reflected visually in its costume. In this book, Jennifer Scarce makes brilliant use of years or research to provide a lucid acount of the development of women's dress from the fourteenth to the early twentieth centuries. Her study of costume is set in th ebroader context of the social and economic background of the Ottoman Empire, giving the subject a new an fascinating slant.
A detailed discussion of cut and construction is accompanied by pattern layouts and numerous photographs which clearly illustrate the different styles of dress through the centuries.
Women's costume of the Near and Middle East is a hitherto sadly neglected subject. After years of original research across the world, this gap has been admirably filled by Jennifer Scarce's scholarly readable study.

This extraordinary private collection of traditional costumes, put together with taste and passion by an Italo-Turkish couple, will take us across Asia Minor, Central Asia, India, South-East Asia, and the Far East: five immense territories spanning from west to east, an impressively multi-ethnic and multi-cultural continent. It is impossible not to be fascinated by the incredible variety of animals embroidered on a Zoroastrian shawl; by the dress from Kohistan with four hundred multiple inserts; by the face cover with which young brides of Karakalpak wore when they left home to go and live at their husband's house; by the wonderful, sheer saris (jamdani) of Bengal; by the elegance of the royal couple at the court of Yogjakarta; by the vegetable fibre garment worn by Chinese peasants to protect themselves against the rain; by the Japanese fireman's padded uniform...by their contrasting design, techniques, structures and decorations.

A worldwide survey of Islamic textile production over the centuries, illustrated with 600+ color photographs.
This book surveys the wide array of textiles made, worn, used, and displayed throughout the Islamic world, from the glorious fabrics of the past to those produced today. Hundreds of illustrations feature examples from around the globe, including embroidered Persian prayer cloths, Anatolian ikat coats, Ottoman beaded purses, Caucasian striped silk bags, Berber women’s shawls, Arab tent decorations, Yemeni indigo robes, Indonesian batik sarongs, and West African strip-woven cloths.

Region by region, the book provides details of local history, particular textile traditions, materials, dyes, special forms of decoration, and information on current practice. The variety is stunning, from cloths of cotton, hemp, linen, and wool to sumptuous velvets and silks; from techniques of quilting, felting, beading, and knitting to block-printing, tie-dyeing, and hand-weaving on a range of looms.

Specially taken color photographs, portraits of weavers in action, and rare archival material complete a remarkable visual panorama. Together with a glossary and a guide to textile collections around the world, this comprehensive survey provides a wealth of information and will be invaluable to anyone interested in the rich art of textiles, costume, or craft. 626 color and 15 black-and-white photographs and illustrations
About the Author
John Gillow researches and collects traditional textiles from India and Southeast Asia, and lectures and exhibits his collections in Europe. He lives in England.

Sumptuous Iranian textiles from the V&A’s unrivalled collection are displayed in this beautiful book. A new title in a successful series, Iranian Textiles presents more than 200 examples produced during the first half of the 19th century, with close-up photographs that reveal the unique woven, printed, and embroidered designs.
About the Author
Jennifer Wearden is former senior curator of textiles at the V&A. She continues to work with the museum’s collections and is an honorary research fellow.
Patricia L. Baker (1942–2008) was a lecturer, consultant, and author specializing in the study of Islamic textiles and glass.

From Library Journal
Both of these works exemplify the craftsmanship of highly skilled weavers in Central Asia and provide insight into the lives and culture of various ethnic groups. The "Introduction and Survey" section of Turkoman, an English translation of Jourdan's renowned German work, gives a brief yet detailed overview of the background and characteristics of nomadic Turkoman tribal weaving, including the techniques, influences, and symbolic and ritualistic meaning of various designs. There is also a brief section on collecting Turkoman rugs and pricing trends. The major portion of this work is a catalog of different regional types of pile weaving. Each rug, illustrated by color photograph in full view, is given a brief description and a literature citation stemming from the bibliography. While geared to specialists in the field, this work could help lay readers develop an appreciation of the Turkoman tradition of weaving. Collector and dealer Harvey focuses on a broader aspect of nomadic weaving, that of fabrics and applied decorative works. The four chapters of this colorful volume highlight not only the historical or traditional materials and designs in weavings but also more contemporary aspects of clothing. The opening chapter describes the history of the region and that of the various trade routes between Europe and China. The second chapter focuses on various types of materials and traditional dye sources and dyeing. The third chapter highlights the diversity of weaving, from covers and hangings to knitted and crocheted works. The last chapter is devoted to the various ways traditional fabrics can be enhanced through embroidery, block-printing, and fabric painting. Both works should be popular among textile enthusiasts and should be purchased for collections specializing in decorative arts.?Stephen Allan Patrick, East Tennessee State Univ. Lib., Johnson City
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Product Description
“A valuable source of information and an inspiration for anyone interested in the decorative power of textiles.”—Antiques and the Arts Weekly No region has a textile tradition more vivid and romantic than that of Central Asia. This book provides an illustrated survey of these textiles, displaying in more than 200 color plates the opulent velvets, exquisite embroideries, magnificent felts, and fine cotton weaves produced throughout the area.

Janet Harvey describes the decorative motifs, materials, dyes, and looms; the types of objects made and the diverse regional and tribal variations; clothes and costumes; and lavish embroideries and embellishments. A valuable source of information for designers and students, collectors and travelers, the book includes a glossary, a bibliography, and a list of collections. 212 color, 52 b&w illustrations