Пояса 13-15 вв

[Yuriy]

Первый раз о таком слышу...

[velizariy]

Я упоминал об этом раньше.
viewtopic.php?p=21162#p21162
https://www.youtube.com/watch?v=wCIV-C8nhcs
4:45:15 - "Поясной гарнитур"

[velizariy]

Megjegyzések a Dumbarton Oaks Bizánci Gyűjteményének 40.10. leltári számú leletegyüttese kapcsán
https://www.academia.edu/1791821/Megjeg ... pcs%C3%A1n

[velizariy]

Collections, Selçuklu Müzesi, Kayseri Büyükşehir Belediyesi
http://www.selcuklumuzesi.com/ustmenu.a ... id=2&sid=9
Сельджурки.

[velizariy]

https://rus.bg/esche/interesno/interesn ... vyj-amulet
В Болгарии найден уникальный артефакт - нефритовый амулет

Этим летом болгарские археологи при раскопках на мысе Калиакра наткнулись на богатый некрополь XIV века. А самой уникальной находкой, датированной этим же периодом, стал белый нефритовый амулет, прямоугольной формы, который, по мнению ученых, был сделан в Китае, во времена династии Юань и использовался, как обыкновенная пряжка.
По словам руководителя раскопок доц. д-ра Бони Петруновой, амулет, скорее всего, прибыл на болгарскую землю во время очередного нашествия Золотой Орды на восточноевропейские земли и был подарком одному из владетелей Добруджанского деспотата.
Нефрит амулета считается императорским, он очень популярен в восточных странах и считается, что имеет лечебную силу. На амулете изображена сцена охоты сокола на дикого гуся среди цветов лотоса. Предполагаемая связь с Золотой Ордой базируется именно на изображение и выборе материала, который несет успех и благоденствие.

[velizariy]

М.Г. КРАМАРОВСКИЙ
ПОЯСНОЙ НАБОР СО СЦЕНОЙ «СПОРА О ВЕРЕ» ИЗ СОБРАНИЯ ЭРМИТАЖА (XIV - ПЕРВАЯ ПОЛОВИНА XV в.)
http://elar.urfu.ru/bitstream/10995/353 ... -30-22.pdf

[velizariy]

Прусские пояса орденского времени
Кулаков Владимир Иванович
https://nbpublish.com/library_read_article.php?id=19012

[velizariy]

https://www.khalilicollections.org/coll ... s-mtw1419/
Belt Fittings
MTW 1419
eastern Iran, perhaps Nishapur
9th or 10th century AD
37 pieces, all originally gilt, 34 of sheet silver with repoussé decoration and chasing, 3 of cast bronze
5.4 x 5.2cm (buckle); 7.3 x 3.3cm (long plaque)

Belts were a virtually essential element of military uniform, serving to carry swords and daggers and a variety of military equipment. In many feudal and military societies, moreover, they functioned as a sign of rank and accordingly were of precious metal and sometimes even jewelled and were conspicuous in being buried with the wearer among his most highly-prized possessions.
Though it is not entirely certain that all the pieces were actually belt fittings, they clearly fulfilled a variety of functions. The buckle, the rectangular plaques and the suspension element were for the attachment of a sword or sabre, or both. The M-shaped elements and the spacers would have been from the belt proper; and some would have been used to decorate pendant straps.
D. Alexander, The Arts of War. Arms and Armour of the 7th to 19th Centuries, The Nasser D. Khalili Collection of Islamic Art, volume XXI, London 1992, cat.2, pp.28–30.
J.M. Rogers, The Arts of Islam. Masterpieces from the Khalili Collection, London 2010, cat.213, pp.182–3.

[velizariy]

https://www.khalilicollections.org/coll ... s-jly2153/
Belt Fittings
JLY 2153
northeastern China or Inner Asia (or Central Asia)
10th–early 12th century AD (or 12th–early 13th century AD)
cast and sheet copper alloy and wire, gilded; leather backing
4.3 x 4.5cm (plaques); 4.7 x 8.1cm (terminal)

Six of these seven belt fittings are almost square and their front is decorated in high relief with a deer couchant, body and head facing right, in a beaded circle. The seventh fitting is rectangular with one rounded end and also bears a deer couchant, its body facing right but its head turned back, in the beaded circle. The deer all have mushroom-like lingzhi antlers and their coats are represented with engraved lines. The front plaques are mercury-amalgam gilded and the grounds within the beaded circles have ring-punched scrolls. All the fittings still have a back-plate, which is secured by rivets, and all but one has the remains of a leather belt sandwiched between the front and back plates.
M. Spink & J. Ogden, The Art of Adornment, Jewellery of the Islamic Lands, The Nasser D. Khalili Collection of Islamic Art, volume XVII, Part Two, London 2013, cat.294, pp.332–3.

[velizariy]

https://www.khalilicollections.org/coll ... s-jly1012/
Two Belt Fittings
JLY 1012
Golden Horde (South Russia or Central Asia)
mid- or later 13th century AD
gold sheet and wire, with repoussé, chased and engraved decoration and granulation
2.8 x 2.8cm; 4.4 x 2.9cm (including loop)

These square belt plaques are box-constructed, worked in repoussé, and enhanced with chasing and engraving on the front and back. The borders are granulated.
Each plaque depicts two does under a tree with large four-petalled flowers, and a row of lappets, perhaps representing shrubs, in the foreground. The paired animals are either couchant or standing. Their bodies are oriented in the same direction; the head of the deer at the front is turned back, while the second faces forward. The ears are clearly articulated and the animals do not have the mushroom-like (lingzhi) antlers indicative of Chinese inspiration [compare JLY 2135]. The plaques were attached to a belt by loops on the back; only one has a suspension ring.
D. Alexander, The Arts of War. Arms and Armour of the 7th to 19th Centuries, The Nasser D. Khalili Collection of Islamic Art, volume XXI, London 1992, cat.4, pp.30–31.
M. Spink & J. Ogden, The Art of Adornment, Jewellery of the Islamic Lands, The Nasser D. Khalili Collection of Islamic Art, volume XVII, Part Two, London 2013, cat.303, pp.400–01.
J.M. Rogers, The Arts of Islam. Masterpieces from the Khalili Collection, London 2010, cat.216, p.184.

[velizariy]

https://www.khalilicollections.org/coll ... g-jly1825/
Belt Fitting
JLY 1825
Central Asia or the Qipchaq steppe (Golden Horde)
mid- or later 13th century AD
silver sheet and wire, with repoussé, chased and engraved decoration and granulation
8 x 4.1cm (including loop)

The belt fitting is decorated with a long-eared quadruped and a hare, both couchant with their heads turned back, beneath a spreading tree with a bird at the top, all executed in repoussé with chased details; the ground is textured with punches.
Five rivets with silver washers, visible on the back, would have secured the fitting to a belt.
D. Alexander, The Arts of War. Arms and Armour of the 7th to 19th Centuries, The Nasser D. Khalili Collection of Islamic Art, volume XXI, London 1992, cat.3, pp.30–31.
M. Spink & J. Ogden, The Art of Adornment, Jewellery of the Islamic Lands, The Nasser D. Khalili Collection of Islamic Art, volume XVII, Part Two, London 2013, cat.305, pp.400–01.
J.M. Rogers, The Arts of Islam. Masterpieces from the Khalili Collection, London 2010, cat.216, p.184.

[velizariy]

https://www.khalilicollections.org/coll ... s-jly2150/
Belt or Harness fittings
JLY 2150
Ukraine, southern Russia, Caucasus or northern Iran
12th–early 13th century AD
cast and sheet silver and wire, gilded
5.7cm (height, plaque with buckle);
2.8cm (pentagonal plaques);
2.4cm (hexagonal plaques);
2.2cm (diameter, roundel)

These belt or harness fittings consist of a buckle connected to a pentagonal plaque, seven pentagonal plaques and four pierced elements, three hexagonal and one round. All bear decoration in high relief and are gilded. The plaque attached to the buckle has a figure of a lion passant with one forepaw raised. The pentagonal plaques have a pair of lions rampant, with their tails and tongues entwined along the centre, and a third crouching lion below them. The pierced roundel has two confronted animals of indeterminate species, and the hexagonal elements have floral or vegetal decoration. The back of each fitting has three rivets, some of which retain square or polygonal washers roughly cut from sheet.
Despite the similarities in material and technique, the differences in decoration suggest that the fittings may have belonged to more than one belt, but of the same workshop.
M. Spink & J. Ogden, The Art of Adornment, Jewellery of the Islamic Lands, The Nasser D. Khalili Collection of Islamic Art, volume XVII, London 2013, cat.299, p.339.
J.M. Rogers, The Arts of Islam. Masterpieces from the Khalili Collection, London 2010, cat.218, p.184.

[velizariy]

https://www.khalilicollections.org/coll ... s-mtw1432/
Belt Fittings
MTW 1432
Anatolia or north-west Iran
12th or 13th century AD
silver, partly cast, chased, gilt and enhanced by niello; and partly silver sheet, worked in repoussé, parcel-gilt and with sparse niello inlay
5.6 x 3.2cm (sub-rectangular plaques);
5 x 2.7cm (plaque with ring);
4.6cm (diameter, circular elements)

These fittings were most probably from a single belt, as suggested by their technique and decorative repertory. They can be attributed on stylistic grounds to a goldsmith’s workshop in 13th-century Seljuk Anatolia, where similar scrollwork is characteristic of both architectural decoration and woodwork.
D. Alexander, The Arts of War. Arms and Armour of the 7th to 19th Centuries, The Nasser D. Khalili Collection of Islamic Art, volume XXI, London 1992, cat.13, pp.40–41.
J.M. Rogers, The Arts of Islam. Masterpieces from the Khalili Collection, London 2010, cat.215, p.183.

[velizariy]

https://www.khalilicollections.org/coll ... gs-jly947/
Belt Fittings
JLY 947
Ukraine, southern Russia, Caucasus or northern Iran
12th–early 13th century AD
silver sheet and wire, with repoussé, chased and lightly engraved decoration; gilded
2.5 x 2.7cm (square plaques); 2.3 x 1.8vm (terminal);
1.6 x 1.6cm (smaller heart-shaped plaques);
4.7 x 4.1cm (oval plaque)

The group consists of eight belt fittings with cusped edges. Three of these are nearly square, three heart-shaped, and one is a rectangular terminal with a rounded end. The eighth is oval with a more pronounced lobed edge, a central quatrefoil opening and a loop at one end, and may possibly be a buckle. They are decorated with a lion passant raising one forepaw, executed in repoussé, enhanced by chasing and light engraving, and gilded. Six of the fittings have rivets on the back with roughly cut polygonal washers. The back-plate of the rectangular terminal consists of two pieces of sheet, secured by two central rivets: this and its decoration suggest that it may have belonged to a different belt. The back-plate of the oval fitting is soldered on.
D. Alexander, The Arts of War. Arms and Armour of the 7th to 19th Centuries, The Nasser D. Khalili Collection of Islamic Art, volume XXI, London 1992, cat.6, pp.32–3.
M. Spink & J. Ogden, The Art of Adornment, Jewellery of the Islamic Lands, The Nasser D. Khalili Collection of Islamic Art, volume XVII, London 2013, cat.297–8, p.338.
J.M. Rogers, The Arts of Islam. Masterpieces from the Khalili Collection, London 2010, cat.218, p.184.

[velizariy]

https://www.khalilicollections.org/coll ... s-jly1461/
Buckle and Two Belt Plaques
JLY 1461
Iran
13th century AD
bronze, cast, pierced, engraved and gilded
3.5 x 8cm (buckle)

The decoration is eclectic: the buckle has palmettes, the oval plaque has a bracketed outline and bears chinoiserie phoenixes, and the sub-rectangular plaque has a symmetrical foliate design. The chinoiserie elements argue for a later 13th century date, when Iran was under Ilkhanid rule.
D. Alexander, The Arts of War. Arms and Armour of the 7th to 19th Centuries, The Nasser D. Khalili Collection of Islamic Art, volume XXI, London 1992, cat.12, pp.28–9.
J.M. Rogers, The Arts of Islam. Masterpieces from the Khalili Collection, London 2010, cat.217, p.184.